We’re thrilled to welcome New York Times film critic and author Alissa Wilkinson to Skylark for what is going to be an outstanding evening of conversation about one of the most iconic figures of American letters: Joan Didion. Alissa will be in conversation with writer and curator Eric Hynes.

Joan Didion opened The White Album with what would become one of the most iconic lines in American literature: “We tell ourselves stories in order to live.” Today, this phrase is deployed inspirationally, printed on T-shirts and posters, used as a battle cry for artists and writers. In truth, Didion was describing something much less rosy: our human tendency to manufacture delusions that might ward away our anxieties when society seems to spin off its axis. Nowhere was this collective hallucination more effectively crafted than in Hollywood.

Although she launched her career in New York City, Didion soon struck out for Los Angeles, where the nation’s dreams were manufactured—and every aspect of her work reflected what she saw there, whether she was writing on politics, society, or herself. In this riveting cultural biography, Wilkinson takes a fresh perspective on Didion’s career as a novelist, critic, and screenwriter deeply embroiled in the grit and glamour of Hollywood. In eloquent prose, she charts how Didion became intimately acquainted with power players of the Los Angeles elite, arriving in the twilight of the old studio system in time to see lines between the industry and public life blur. Peering through a scrim of celluloid, Wilkinson incisively dissects the motifs and machinations that informed Didion’s writing—and how her writing, ultimately, demonstrated Hollywood’s addictive grasp on American identity.

Alissa Wilkinson is a film critic at the New York Times and was formerly a senior correspondent and critic at Vox. Her previous book, Salty: Lessons on Eating, Drinking, and Living from Revolutionary Women, was published in 2022. She lives in Brooklyn, New York.

Eric Hynes is Senior Curator of Film at the Museum of the Moving Image in New York, where he heads up year-round programming as well as the annual First Look Festival. He is also a longtime critic and journalist, with outlets that have included the New York Times, the Washington Post, Film Comment, Rolling Stone, Slate, New York magazine, Sight & Sound, the Village Voice, and Reverse Shot, where he has been a staff writer since 2003 and writes a column on the art of nonfiction.